from the BRG archives: first books and relationships








I was looking for the exact quote but I think it's long gone. A few years back (I think!) I'd read in PW about Mark Brown's first book memory. He said his editor sent a limo and Champagne to his door on the book's release date. I was SHOCKED when I read this. Was publishing THAT much better back then? When a book of mine gets released, it gets zero fanfare. I've grown accustomed to this fact. But boy would a little fanfare be nice! Picture books have also changed a lot since then. They've gotten bolder... edgier. Is this a good thing? A bad thing? When I was little there weren't any books like the ones I create so I must wonder what *I* would have thought of them. Hopefully I would have liked them.

A friend of mine just gave me Dear Genius: The Letters of Ursula Nordstrom. It's clear from reading the letters that Nordstrom really valued her author/editor relationships. So here's another random question-editors and authors out there: what are your relationships like with the people you work with? Do you think having a close, friendly relationship helps? I've talked to so many authors who've told me they've never met their editors! Wow. I don't know how I would operate if that were the case. I like the face-to-face contact. I like to know who's on the other end of the computer/phone. Do you think face-to-face contact matters? Does it make a book better?

Well, those are my rambling thoughts for now.

meghan

Originally published Septemeber 28th, 2006